The Case For Nathan Fillion to Play Indiana Jones

Everyone thinks that Harrison Ford is the only man who can play Indiana Jones. I respectfully disagree.

In response to some talk that Harrison Ford wants Indy killed off in the next installment, I thought I’d repeat my argument: Either pass on the torch to Shia LeBeouf and have him play the new Indiana Jones, or cast someone else in the role, James Bond-style. My pick? Nathan Fillion.

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Review: Julie Taymor’s The Tempest

Spoilers ahead!
Source: CC2K
This unearthed blog post post has not been revised since its original posting.
This blog entry is an unearthed blog post, pulled from one of several sources: my old personal blog; the pop-culture website CC2K; a now defunct website dedicated to my novel The Odds; or my now deleted Facebook account. A few entries may even be cobbled together from threads lifted from my now deleted Twitter account. My hope is to explore some of my old writing as I try to reclaim my focus and my mind. I plan to revisit, revise, and revamp each unearthed blog.

Despite some excellent performances, Julie Taymor’s take on Shakespeare’s swan song doesn’t quite work.


I love Julie Taymor. I don’t always love her movies.

Watching her lavish new adaptation of Shakespeare’s The Tempest brought me back to a lot of things — my adoration of the play, my impatience with the play, my early days writing for CC2K. I also found myself reflecting on the strengths and weaknesses of film versus theater and how they challenge filmmakers who try to usher Shakespeare’s plays onto the screen.

I also found myself contemplating the role of special effects in moviemaking and how computer-generated effects still have the capacity to fail so utterly. I hate to shine so harsh a light on the special effects in a Shakespeare movie, but The Tempest is packed with some jaw-droppingly bad ones. They got in the way, when they should have helped the movie soar.

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Thoughts on Justification, Retconning and Superhero Costumes

As a fan of comic books and comic-book movies, I’m moved to take a long, hard look at one of the fundamental eccentricities of our chosen genre and ask ourselves: Why the hell would anyone dress up like that?

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Review: Edge of Tomorrow

Doug Liman calls on perennial tough guy Tom Cruise to play a wimp in the opening reels of his crackerjack-entertaining sci-fi action flick Edge of Tomorrow, and Cruise is up for the challenge. The movie falls into the same proud tradition of time-loop head-spinners like Groundhog Day, as well as some other memorable episodes from the annals of TV sci-fi. I’ll get to those in a moment, but first I wanted to touch briefly on Cruise’s performance and the relationship between “character” actors and leading men.

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Review: X-Men: Days of Future Past

Bryan Singer’s sprightly Days of Future Past jettisons most of the youngsters from the 2011 reboot in favor of the series’ new leading men, James McAvoy and Michael Fassbender. It’s the right call, but the filmmakers commit one small blunder: They make Wolverine the hero.


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