Netflix’s She-ra series got me thinking about the different approaches to reboots.
I’m stating the obvious here, but there are a few ways to go about revisiting old material. Until recent memory, the most common way to reboot a property was simply to remake it. (I’ll discuss the current definition of reboot—as I understand it, at least—in a moment.) More often than not, studios remade old properties that had some brand recognition (The Ten Commandments, Ocean’s Eleven, Sabrina). Whether or not these properties could benefit from being remade was immaterial. Opting to produce (or re-produce) a familiar property no doubt felt and continues to feel like a safe bet for Hollywood suits.